Burma’s B movie scene, where B stands for Bad
It’s not
The Chinese festival, on the
Three festivals in one year isn’t a bad tally for Burmese film producers, who are combating strict censorship, financial stringencies and a lack of technical know-how in their efforts to get their films onto international screens.
Sea Mist is one of five Burmese movies to be shown abroad this year, albeit with mixed results. At home, it vied for box office popularity with the historical epic King Kyan Sit, which also made it to cinemas in
King Kyan Sit, based on the life of King Kyan Sit Thar, who ruled ancient Pagan from 1084 to 1113, was produced with technical assistance from a Malaysian company and is one of the first Burmese films with English subtitles and marketed to an outside audience.
Although it romanticized its subject, creating melodrama and even slapstick out of an important chapter of Burmese history, local audiences mostly loved King Kyan Sit.
Audiences in
One Rangoon-based entertainment reporter said that although King Kyan Sit was one of the most successful products of the Burmese film industry it was still not good enough to be shown abroad.
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