Burmese Pop Music: Identity in Transition
covering burma and southeast asia
Friday, April 19, 2024
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Burmese Pop Music: Identity in Transition


By Min Zin SEPTEMBER, 2002 - VOLUME 10 NO.7


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(Page 4 of 4)

I believe in the power of music," Zaw Win Htut told the BBC Burmese-language service during a recent visit to London. However, in Burma the power of music is always constrained by the power of politics. "We all support Zaw Win Htut’s beautiful intention," says one well-know musician who spoke to The Irrawaddy on condition of anonymity. "But I don’t think he will get the permission he is seeking. Apart from performances that support the government’s propaganda, the junta doesn’t like any independent attempt to mobilize the people." After decades of military rule, Burmese music continues to struggle with forces that seem to conspire to prevent its development, both artistically and as a form of social expression. "We are in a straightjacket," the musician concluded. With additional reporting by Khun Thar and Saw Oo.


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